{"id":3270,"date":"2025-03-07T14:05:29","date_gmt":"2025-03-07T13:05:29","guid":{"rendered":"https:\/\/blog.sagradafamilia.org\/?p=3270"},"modified":"2026-01-14T17:21:08","modified_gmt":"2026-01-14T16:21:08","slug":"discovering-portal-of-the-rosary","status":"publish","type":"post","link":"https:\/\/blog.sagradafamilia.org\/en\/discovering-portal-of-the-rosary\/","title":{"rendered":"Discovering the portal of the Rosary\u00a0"},"content":{"rendered":"

The portal of the Rosary is a small architectural gem that Gaud\u00ed left finished in 1897 to serve as a guide for those who would continue the project after he was gone<\/strong>. This is particularly important for the Technical Office, which strives to stay as true to the original project as possible.\u00a0\u00a0<\/p>\n\n\n\n

The portal is on the right end of the Nativity fa\u00e7ade. It leads into the cloister with the same name: the cloister of Our Lady of the Rosary. Nevertheless, as the Temple works aren\u2019t yet finished, and one of the tasks pending is this cloister that will connect the Nativity fa\u00e7ade to the sacristy that will be built on this side, in the meantime Gaud\u00ed took advantage of the space and put in a baptismal font<\/strong>. So, temporarily, he transformed the first section of the future cloister of Our Lady of the Rosary into a provisional baptistery.\u00a0<\/p>\n\n\n\n

The entrance is in the square basement of the side tower on the Nativity fa\u00e7ade, dedicated to the apostle Matthias. The door is closed, creating a triangular space that Gaud\u00ed covered with a lantern that has a double system of columns, inside and outside. The decorative filigree throughout the chapel is truly exceptional. Here, we can see how Gaud\u00ed, in researching the movement of helices, made the shaft of the eight inner columns with different helicoidal textures, as if they were the predecessor to his later discovery of the famous double twist column. <\/p>\n\n\n\n

\"Discovering\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
Cupul\u00ed del claustre del Roser.<\/figcaption><\/figure>\n\n\n\n

On the left end of the Nativity fa\u00e7ade, symmetrically, there is a similar space that Gaud\u00ed dedicated to Our Lady of Montserrat. On the Passion fa\u00e7ade there are also two portals that lead into the cloister, one on either side, dedicated to Our Lady of Mercy and of Dolours, respectively. Furthermore, at the entrance to the cloister of Our Lady of Dolours, visitors already note its function as a doorway into the Passion sacristy. Called the \u201cLiturgical path\u201d, this cloister is used to display liturgical items designed by Gaud\u00ed for visitors to see. <\/p>\n\n\n\n

Although these spaces are passageways, Gaud\u00ed made them easily identifiable as such from the outside. So, on the Nativity fa\u00e7ade, they are each highlighted by a svelte cupola that sits atop thin columns; and a couple of other points stand out, flanking the fa\u00e7ade.<\/p>\n\n\n\n

\"Discovering\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
La llanterna del portal del Roser.<\/figcaption><\/figure>\n\n\n\n

THE MAGNITUDE OF THE SCULPTURAL WORK<\/strong> <\/p>\n\n\n\n

Perhaps, in spite of it all, the most prized part of this portal of the Rosary is its excellent sculptural work. It features the scene of\u202f Our Lady of the Rosary with the baby Jesus in her arms, and Saint Dominic and Saint Catherine on either side<\/strong>. At her feet, there is a polyhedron sphere with star-shaped faces. As this sphere is hollow, the stars stand out against the dark interior in a\u202ftruly noteworthy piece of craftsmanship.<\/strong> The words \u201cSancta Maria Mater Dei\u201d over the portal\u2019s main ogive are done in a similar manner, with the letters of the inscription standing out against the darkness of the hollowed-out background. And all the roses and rosebush leaves found all over the door are also done this way, paying tribute to the rosary, which means a garland of roses. The four figures in the niches on the lower level are\u202fKing David and King Solomon\u202f<\/strong>on one side and\u202fKing Isaac and King Jacob\u202f<\/strong>on the other. Both the names and the canopies that top these sculptures are done in the same relief style.<\/p>\n\n\n\n

\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
Escultures de la Verge del Roser amb el nen Jes\u00fas als bra\u00e7os, als dos costats hi ha Sant Dom\u00e8nec i Santa Caterina, situats al timp\u00e0 de la porta del claustre del Roser.<\/figcaption><\/figure>\n\n\n\n

The other sculptural groups on this portal are, on one side, the scene of the death of the righteous, with a rosary in hand, accompanied by Jesus, Mary and Joseph, below the pertinent Latin inscription \u201cet in hora mortis nostrae, amen\u201d. On the other, we see the representation of temptation or evil: on one side there is a man working and a diabolical beast offering him an Orsini bomb to use in an attack; and, on the other, a similar monstrous devil offering a girl a bag full of money to sell her body. The former represents the sin of violence; the second, that of greed. Both look to, pray to and entrust themselves to the Virgin Mary and, therefore, don\u2019t fall into these temptations. <\/p>\n\n\n\n

\n
\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
Escultura “La temptaci\u00f3 de la dona”, on un monstre diab\u00f2lic adopta la forma de peix i tempta una dona amb una bossa de diners, \u00e9s la representaci\u00f3 de la vanitat.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
Escultura “La temptaci\u00f3 de l’home”. Es pot veure com el diable ofereix a un obrer una bomba Orsini, usada pels anarquistes de principi de segle XX.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

The sculptural work throughout the portal is so large that is seems to spill out all over the place, from the nerves on the Gothic vaults, angels and hanging rosaries to the people\u2019s dresses and the stars and decorative elements that fill the walls. On the lower section, we can even see a sort of baseboard reminiscent of wicker craftsmanship, which is there simply to give it a bit of texture and leave no square centimetre untouched. <\/p>\n\n\n\n

So, enjoy this space and the magnificent craftsmanship in this 360\u00b0 photo, which will give you a chance to discover all the details as if you were really there. <\/p>\n\n\n\n

\n